Skip to main content

New Regime - The Race

The Regime
It was sealed, and it was cheap, and it followed me home so I got to keep it.

New Regime, stylized as New:Regime was a relatively short lived '80s new wave tinged rock band who released two albums on RCA, their self titled debut in '85 and The Race which was released in '87. Me personally, I don't think I'd heard of them and reading through the credits I can't say I recognized any of the main players. I did recognize Neil Chapman's (Pukka Orchestra) name along with Dalbello under the additional musicians section which did lend a little cred from my perspective.

I had been puttering in the basement, so I figured I'd just put this one and crank it up. Admittedly not the best way to road test a new album but it is what it is. Musically this sort of hit where I thought it would, which was cool. It was very mid '80s and reminded me a lot of Robbie Nevil (only on the first listen, after that it was harder to hear) but you'd be forgiven if you came up with your own "sounds like" list. The music is frankly really generic and could have come just about any competent band. Which is a horrible way of saying this was a decent commercial sounding record that was very much of its time.

insert
You know what?

I like this stuff, and I really like this album. I'm a sucker for this era of processed guitars and slick production.

Frankly there's a more going on here than was apparent on that first cursory listen. If I'm going to shit on a band for being commercial in the '80s I'll need to lump in The Front, Eight Seconds, Platinum Blonde (yes, them too) and a slew of others.

insert
I'm running through the album again from the beginning, this time with no distractions and I have the lyrics and credits in front of me. The album opens with "The Race" (one of the best tracks on the record) and this was a great introduction. The song has a lot of the '80s trappings but it's so good, and vocalist Kevin Connelly nails it. Yes, he has one of those every-man voices, but there's something about his voice, that while familiar, is distinctive too. While I'm partial to the rockers, the band was pretty adept at those mid tempo slow dance songs that were full of emotional angst and soaring vocals and guitar solos. 

back cover
All of the songs were keepers which I found interesting and kind of cool. Oh, I'm not saying everything was a single or mix tape worthy, but nothing here made me want to get up and skip a song.

I have to admit that this was a really nice surprise and was a lot of fun. They may not have won the race, but they won me over ... it just took a little longer.

Comments

Popular posts from this blog

6 Cylinder

As a kid we had one radio station, not counting CBC, and generally there was very little that was worth listening to, although there were times something would come on that would make you pay attention. It was 1979 and on a couple of occasions I heard "There Ain't Nobody Here But Us  Chickens" and it cracked me up, and I always wanted to get a copy for myself. A few years ago when my niece was dancing, they did a performance to this song, and now I can't separate my niece from a bunch of dancing chicks in chicken suits. Such is life. When I found this in the dollar bin I actually let out a little chirp, my goodness could it be? It was, and it was in great shape - including the inner sleeve.  Score. I had no idea what to expect, for all I knew there was only one song worth listening to, and if that was the case it was still a dollar well spent. If I could buy an album by Showdown and enjoy it, odds are I'll find something to enjoy here to. Before I put this on I...

Garfield - Strange Streets

I'd seen this before in the bin, but kept flipping through the stacks. I'd see it a few more times, each time stopping to look at it a little more. There was something kind of cool about the cover where the stylized Celtic knot had the dotted yellow line - it was a strange street for sure.  I pulled the record out of the jacket and I was struck by the centre image. There was the familiar Mercury label, the same one I'd seen a thousand times on BTOs Head On album. Well, I'd bought things based on odd associations before - like when I had to buy anything that Solid Rock Records released (this was generally a good thing) who knows maybe this was a hidden gem. There weren't any real scratches or rash, just a lot of dirt and dust - it seemed to clean up okay, but we'll see how it goes. The album opens with the title track, and this wasn't straight ahead pop, or rock. It was leaning to the progressive, but with a pop bent. Oddly enough the vocals reminded me of Mi...

Hoodoo Gurus - Mars Needs Guitars!

The first time I got this album it was a gift from my old roommate Otto. For a goofy little nebbish he would occasionally surprise me with some left of field musical treasures. Although, I still think he was reaching a little when he brought home the new "Led Zeppelin" album by Kingdom Come and forced me to listen to "Get it On" over and over again.  I'd not listened to Mars Needs Guitars in a long, long, long time. The first thing that I jumped out at me was how David Faulkner's vocals reminded me of his fellow countryman Peter Garrett from Midnight Oil. I think the reason this never occurred to me was at the time I didn't have any Midnight Oil until Diesel and Dust in 1987. I'm not saying it was all the time, but there were a couple of songs where it stood out. Not a bad thing, just a thing. Even at the time this felt slightly out of step with what was going on in 1985. It seemed like everyone was using drum machines and synthesizers and having t...