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Showing posts from October, 2024

The Knack - Get the Knack

The summer of 1979 belonged to The Knack. Produced by Mike Chapman who was half of the infamous dynamic "Chinnichap"duo with Nicky Chinn. Mr. Chapman had an ear for candy and by gum (bubble gum, baby!) with The Knack he managed to catch lightning in a bottle. The album would go double platinum in the States, and in Canada it would move over 400,000 copies.  The album was a big deal. Or so you'd think. The reality is a little more complicated. Going back to my teenage years "My Sharona" was the song that propelled the band into the stratosphere. Kids everywhere could play the opening riff, and like "Smoke on the Water" it gave the song a sense of simplicity that belied the song's complex structure and numerous changes. It's a mini masterclass in musical excellence and there are no bum notes or wasted space. You don't even have to hear all of the opening riff to "name that tune." I ate it up until it made me sick, and so did an awf

Nick Gilder - City Nights

City Nights was Nick's second solo album, and for most of us it's "Hot Child in the City" that he's best known for ... as a solo artist. He's still somewhat infamous as the guy who left Sweeney Todd just as they were taking off ... but for many years now he's been touring with as Sweeney Todd so I guess he ended up having the last laugh anyway. Regardless, there's no denying how good "Hot Child in the City" was ... it was huge on both sides of the border, and Nick's balancing of the glam elements mixed with rock and emerging new wave was pretty impressive. A big part of this was the songwriting team of James McCulloch and Nick Gilder. When Nick left Sweeney Todd, it was with guitarist and songwriter James, and if Nick had a secret sauce it was James' both as a writer, and more impressively - a really tasty and economical player. The album was produced by Peter Coleman, and Mike Chapman. Both had deep roots with power pop and glam. Mi